Read is beautiful and in particular Anne "red" Renard one!
Sunday, October 31, 2010
Thursday, October 21, 2010
Marc Montméat - Miroir
This photo of Marc Montméat (Miroir) is simply a pure jewel! The precision and the details of the water and the reflection of the girl are perfect. Outside technical perfection, this image brings a deep emotion to the surface. Remember when you were young...
Wednesday, October 20, 2010
Iliana Tosheva - Lake Surface
"I like my sea mustard yellow, green and brown rather than blue and silver grey.
I like my pebbles black, brown, red and white.
I like my trees black even when they are not.
I have been exploring human face, urban ‘distortion’ and the ‘weird’ presence of nature wherever and whenever least expected - a blend I find particularly fascinating."
[Extract of Iliana Tosheva statement]
I like my pebbles black, brown, red and white.
I like my trees black even when they are not.
I have been exploring human face, urban ‘distortion’ and the ‘weird’ presence of nature wherever and whenever least expected - a blend I find particularly fascinating."
[Extract of Iliana Tosheva statement]
Tuesday, October 12, 2010
Michel Leger - Les murs de Venise ( I )
This "Wall of venice" is a superb photo serie. Between photography and abstract paintaing. Colors and forms are fantastic.
Another way to visit Venice.
Another way to visit Venice.
Friday, October 8, 2010
Thursday, October 7, 2010
Wednesday, September 29, 2010
Marc Montméat - La croisée des chemins
Marc Montméat (Winner of Paris Photo 2009) is an emerging talent taking his place in the top Art photographers.
It's not difficult to understand why.
His vision is always disturbing, showing simple ideas with simple point of view. Evident?
When I look to "la croisée des chemins" my impression is, what does Marc exactly means. Until my focus goes to the center of the photo and I see the man just at the cross of the road.
That's it, that's Marc Montméat !
This photo indeed is not a "instant shot". I suppose that it tools a long preparation to get this result. But who cares?
It's not difficult to understand why.
His vision is always disturbing, showing simple ideas with simple point of view. Evident?
When I look to "la croisée des chemins" my impression is, what does Marc exactly means. Until my focus goes to the center of the photo and I see the man just at the cross of the road.
That's it, that's Marc Montméat !
This photo indeed is not a "instant shot". I suppose that it tools a long preparation to get this result. But who cares?
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